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Over almost 100 years we have built a brand for those with a natural curiosity; who seek out the unfamiliar and always take the chance to explore the unconventional path. When it comes to culture that spirit holds true. Whether that’s a piece of cinema from another world and time or an obscure novel with a universal message, we’re interested in the interesting.

Welcome to the Belstaff Culture Club: a treasure trove filled with some of culture’s lesser-known, unconventional gems. Lovingly curated by Belstaffers, our friends and distinct voices from the world of culture, let us entertain and inspire you with our vibrant weekly calendar of content based on film, music, books, food and drink.



Edie Ashleys playlist


“Sun Dub (Solar Dub) by Oku Onuora. It’s got the James Bond theme – it makes me feel like I’m on a mission.“


• Expansions – Tenderlonious, The 22archestra
• Flowers – Andrew Ashong, Theo Parrish
• Love Dub – Moodie, Soul Syndicate, Blacksslate
• Little Fluffy Clouds – The Orb
• Black Bowie – Oko Ebomo
• Silent Street / Silent Dub – Maximum Joy
• Riffin’ at the Bar-B-Q 1 1939, Davis & Schwegler transcription – Nat King Cole
• Sun Dub (Solar Dub) – Oku Onura
• Ti-de – KOKOROKO
• Cosmosis – Humble B Flat
• Pass The Peas – The J.B.’s
• Natch – Cornershop
• Afrolicious – Boozoo Bajou Remix


Our classic cotton tees, vintage-inspired sweatshirts and more are the perfect accompaniment to time spent relaxing with a hidden gem.


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Dir Alison Maclean

I remember picking this film up on VHS back in the day purely because I liked the artwork, and it had a few actors that I liked. It was the first time I had seen (a young) Billy Crudup in anything, and I fell in love with his performance. He’s such an underrated actor. The film itself has so much heart and it weaves so effortlessly between drama, comedy, the surreal, the divine and a twisted relationship movie. It’s got an amazing cast with Samantha Morton, Michael Shannon, Holly Hunter and Dennis Hopper, and I don’t think I’ve ever met anyone who’s actually seen it.

Dir Mark Webber

Mark Webber has always been a really engaging actor to watch but he’s also a really interesting film maker. This was the first film I saw of his and I was so impressed with what he brought to the screen. The film touches on different people’s lives, all struggling to survive in modern America. Honest people being held back by a system that is not in place to help them. Mark has gone on to make some fiercely independent films using his own life as the subject and his own family as the cast. It’s amazing to see him put his life on the line like that. He’s definitely an undiscovered talent.

Dir Scott Kalvert

This is probably one of Leonardo Di Caprio’s lesser known films, but it stood out to me since I watched it in my twenties. It’s taken from the real life diaries of writer and poet Jim Carroll, growing up playing basketball and getting into drugs at a Catholic school in New York. The film follows a group of young hotshot hopefuls whose lives and dreams are interrupted when they begin experimenting with drugs, and the destructive road that it takes them on. There are scenes in the movie that will stay with me for life. If you’re a fan of Leonardo Di Caprio and you’ve not seen it, it’s definitely one to seek out.

Dir Bernardo Bertolucci

I loved this movie when I discovered it as a young man. It conjured up all those heightened romantic ideas of living in Paris as a young artist. Living in that bohemian way, falling in love with people and with life. That moment in time when you are open to influence and so easily swept away. It’s set at the end of the sixties during the student riots and tells the story of a young American student who befriends a Parisian girl and her twin brother, both living alone in their parents apartment for the summer. It becomes a complicated love triangle as all three of them start to lose sense of themselves and the outside world around them. Definitely the kind of film that makes you want to move to Paris and never come back. 

Dir Alan Clark

I remember properly discovering British cinema when I went to University in Manchester. It was so different to a lot of the American films I was used to watching and this film in particular stood out. I remember being so excited at how unapologetically real and ugly it looked. I was getting into acting and performing around that time and to see a very young Tim Roth be so electric on screen definitely furthered my interest. This film created a gateway into so many other great British films and showed me a world in cinema that was much closer to the world outside my front door. Films like this showed me that cinema didn’t have to be shiny to get my attention.